In Kant’s view, geometrical shapes are too perfect to induce an aesthetic experience. Insofar as they agree with the underlying concept or idea ―thus possessing the precision that the ancient Greeks sought and celebrated ―geometrical shapes can be grasped, but they do not give rise to emotion, and, most importantly, they do not move the imagination to free and new (mental) lengths. Forms or phenomena, on the contrary, that possess a degree of immeasurability, or that do not appear constrained, stimulate the human imagination ― hence their ability to induce a sublime aesthetic experience. The pleasure associated with experiencing immeasurable objects ―indefinable or formless objects ―can be defined as enjoying one’s own emotional and mental activity. Namely, the pleasure consists of being challenged and struggling to understand and decode the phenomenon present to view. Furthermore, part of the pleasure comes from having one’s comfort zone (momentarily) violated.
*geometrical: 기하학의 **aesthetic: 심미적인 ***sublime: 숭고한