오늘의 한마디
2026학년도 수능 영어 40번, 원문 공개 (글의 출처)
In modern societies, the performing arts form a distinct
category of public entertainment in opposition to the mass
distribution through the media of expertly staged
performances which have been recorded and edited. By
contrast, theater, ballet, circus, concert, rodeo, storytelling,
etc., unfold their signs in real space and time, and engage
audiences who respond cognitively and emotionally on the
spot. Performers and audiences are involved in shared
enjoyment. But sometimes frustration occurs within the
boundaries of such ritualistic events. In industrialized and
computerized cultures, the performing arts become
economically unstable because the institutions which
sustain them increasingly depend on public and corporate
funding. However, they retain their power of fascination
for large, if not massive audiences, who prize the experiential,
risk-loaded and one-time event quality they afford. In
traditional and local cultures, performances still survive
and provide their audiences with a unique fulfillment in
smaller scale, economically sustainable institutional settings.
* ritualistic: 의식의
답:
제시된 텍스트는 대한민국 교육기관에서 출제된 모의고사 영어 영역의 요약문 완성 문제에 사용된 원문 지문입니다. 이 글은 대중 매체의 공연과 대비되는 공연 예술(performing arts)의 고유한 특성(현장성과 일회성)과 경제적 불안정성을 설명하고 있습니다.
원문 출처 정보 (Primary Source Document)
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종류 (Type): 2017년 3월 고3 전국연합학력평가 (모의고사) (National Academic Achievement Assessment for 12th Grade, March 2017)
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과목/문항 (Subject/Item): 영어 영역 40번 문항 (요약문 완성 문제의 지문)
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시행 주체 (Administered by): 서울특별시교육청 (Seoul Metropolitan Office of Education)
정확히 일치하는 원문 (하이라이트)
제시된 텍스트는 해당 시험 문제지에 수록된 지문의 내용과 완벽하게 일치하는 부분입니다.
In modern societies, the performing arts form a distinct category of public entertainment in opposition to the mass distribution through the media of expertly staged performances which have been recorded and edited. By contrast, theater, ballet, circus, concert, rodeo, storytelling, etc., unfold their signs in real space and time, and engage audiences who respond cognitively and emotionally on the spot. Performers and audiences are involved in shared enjoyment. But sometimes frustration occurs within the boundaries of such ritualistic events. In industrialized and computerized cultures, the performing arts become economically unstable because the institutions which sustain them increasingly depend on public and corporate funding. However, they retain their power of fascination for large, if not massive audiences, who prize the experiential, risk-loaded and one-time event quality they afford. In traditional and local cultures, performances still survive and provide their audiences with a unique fulfillment in smaller scale, economically sustainable institutional settings.